Elmer Long and the High Desert folk-art tradition
Elmer Long grew up in the Victorville-Oro Grande area in the 1950s and 1960s, the son of a longtime High Desert family with deep roots in the region's mining and small-ranching traditions. His father Albert Long worked at the local cement plant and was a passionate amateur archaeologist and bottle collector who spent decades exploring desert dump sites, abandoned mining camps, and ghost town remains across the Mojave. Albert's collection of glass bottles, mining artifacts, and roadside ephemera grew to fill multiple sheds and outbuildings on the family property over four decades.
When Albert died in the early 2000s, Elmer inherited the collection and faced the practical question of what to do with it. The bottles were the largest single category — thousands of individual pieces ranging from rare 19th-century medicine bottles to common 20th-century soda bottles, in colors spanning amber, cobalt blue, emerald green, clear, and several rare purple and red glass tones. The collection's volume made conventional indoor display impractical, and Elmer wanted a solution that honored his father's collecting tradition rather than dispersing or selling the bottles.
The bottle tree concept came from Elmer's awareness of the Southern American folk-art tradition in which bottles are hung from tree branches or specialized armatures in yards and gardens — a practice with roots in African and African-American Deep South folk traditions where the bottles were believed to catch and trap evil spirits. Elmer was not himself working in that specific spiritual tradition but admired the visual form, and he began welding steel pipe armatures into branching tree shapes and hanging his father's bottles on them. The first few trees went up around 2000; by 2005 there were dozens; by 2015 over 200.